Showing posts with label sequences. Show all posts
Showing posts with label sequences. Show all posts

Sunday, July 21, 2013

Embedded in embedding.


The first 15 years of my career as a photographer besides doing photo projects I made conceptual photography. Sequences. A visual research of perception and phenomenology.

It was fascinating to make sequences because I could discover that nothing is what we think it is. Reality is not something outside us at which we are looking: reality is created by ourselves. It is the personal perception that decides what we think we see.

This is a knowledge many people do not want to know. Because it means we live in a context that is not stable and secure and that is too hard to handle. Hence, many people create a pseudo-reality that is strongly constructed outside themselves. A reality that is fixed and final.

Fortunately too many things happen in the life of every person that is unexplainable. “A miracle has happened”, they say. Or “What a coincidence”. But what actually happened is that they moved from a pseudo reality into the real one.

A good example how we create our own reality is the phenomenon that if we for some reason focus on one particular thing, we start to see this thing frequently.
A man dies and his wife is very sad and misses him badly. Walking in town she gets the shock of her life: she sees in the crowd walking her own deceased man.
Obviously this is projection coming from strong emotions but it decides how reality is for this woman.
Or we believe that these days pink sweaters are in fashion. This is then confirmed by seeing suddenly many people wearing pink sweaters.
Obviously we see pink sweaters because we unconsciously focus on pink sweaters and only register those in our awareness: the many red sweaters are not entering the awareness.

This whole issue of the subjectivity of reality is now related to my project “What the world has never seen”. This project is about intimacy and privacy and obviously in our societies these subjects repeatedly get the attention.
See www.whattheworldhasneverseen.com
The question is whether “What the world has never seen” really is a pioneering project that anticipated on the growing importance of the endangerment of our intimacy and privacy.
Or do we see issues with intimacy and privacy because of “What the world has never seen” ?

The answer is clear. Never before in the history of mankind did we have social media on a scale as we see today. And never before did we see interferences in our private lives on a scale as we see today.
These new aspects of our lives is of concern to everybody. Everybody using social media, making a phone call and sending an e-mail is confronted with possible secret interference. Every one of us has to deal with degrading social values.
The book “1984” published in 1949 by George Orwell has long been seen as a weird fantasy impossible ever to become reality. But today what he described has become true. It has become a part of reality that exists in everybody’s life: no matter how you perceive it.

“What the world has never seen” is not a tunnel vision. Seeing what wants to be seen. In the 30’s of the last century certain people in Germany felt things would go wrong and they left. Emigrated. They were reading the signs of the time and were able to make a prediction that was correct. Seeing a reality coming that later became so fatal.
This is also the case with “What the world has never seen”. It saw two years ago what was coming. When “Prism”, the American system to monitor phone and e-mail traffic of each of us, still was unimaginable.
“What the world has never seen” is now embedded in a reality it has been and is warning for.
And it says that the only solution of not becoming victim of threatened intimacy and endangered privacy is to be highly conscious of the current reality. To make form this higher awareness choices that results in becoming invulnerable for the current dangers.
This is our only hope and the more people make these choices, the more chance we have for a better world. 


Saturday, October 16, 2010

They are back!

We call them “sand dollars”.
But by experts they are known as Clypeasteroide.
And they can explain that this beautiful object we find on the beach is in fact the skeleton of an animal.


A sea urchin that lives in the sand and eats crustacean larvae, small copepods, algae and deritus.
When alive, the sand dollar is covered with fine hair and it can move slowly.
When it dies it can wash on the beach without any covering anymore.
And then one sees something exceptionally perfect and astounding.
Something that is perfect in its design, in its symmetry, in its decoration.



In the past, on the beach of El Triple, sand dollars were frequently found.
And always brought back to the encampment.
Because of their beauty and perfectness, no wonder they managed to play a role in many of the sequences, VISTA pictures and the images of the PS-series.








But over the last few years less and less sand dollars were found.
It became exceptional to find one.

Until this time of retreat.
In the last seven days five beautiful sand dollars have been found.
Somehow they are back.

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Friday, June 18, 2010

Open opening

Last night opening of the exhibition in the Lux Photo Gallery in Amsterdam.






© Merel Waagmeester





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Tuesday, May 11, 2010

Crossing the cosmos

In life is a flow that goes underneath existence as a line connecting being before and after.
The fluid link bridging the lives we had and the lives we will have.

When consciousness reaches enough deepness, this vital line can become clear in awareness.
And the line can be seen and understood and connected with.
To let go of all daily life of packages filled with traditions, dogmas and doctrines to sail on this fundamental flow.
To move in harmony between the past and the future.
To be one with eternity.
To become the traveller in the cosmos.

All the photographic work that has been made on the location called El Triple in Baja California, Mexico has come from impulses.
From a personal drive.
From an inner need.
Because it simply and necessarily and desperately had to be made.

It was being in the flow that goes underneath existence.
Connecting with what the source the deepest inside the self was suggesting.

This phenomenon has been going on for over thirty years at El Triple.
And has resulted in a bulk of photography.
Several photobooks and many exhibitions.

And now, in May 2010, the flow at El Triple is manifesting itself strongly again.
But in a complete different way.
Instead of making images again, a talented representative of the new generation is taking the pictures.
And the photographer that has made thousands of images at El Triple over the last thirty years is now her model.
Hence, instead of taking the pictures, the photographer serves to have a new person make images at El Triple.

There is an absolute beauty in this.
For many years a photographer has been taken images away from a place.
And now he is giving them back.


Monday, May 10, 2010

From the office in paradise







The impression may be alive in many minds of fervent and loyal blog readers that life on this side is similar to the one of Adam and Eve before they bit the apple.
Waking up without an alarm clock.
No bus to catch to go to the office.
Every day free to decide what to do.

It may be a surprise but the fervent and loyal blog readers thinking in this way are absolutely right.
Paradise can't be better.

Nevertheless, and this probably not one fervent and loyal reader will know, when you live in paradise, you have to pay rent.
This rent is considerable and equal to what you pay for a nice apartment in Paris or Milan.

Therefore, even in paradise somehow money must be coming in to survive in the privileged conditions that exist in Walhalla.

Now here we hit on something extraordinary.
Because no work is ever done to make money.
No jobs are looked for.
No assignments are expected.

The only activity that takes place that vaguely looks like work is a very strong impulse that comes from the heart: to absolutely want to be involved with photography.
It is from this personal pertinent preference, love and drive that photography in all its aspects is constantly explored and performed.
Not experienced as work at all but as an activity that is pure passion.
And that adored activity magically and without the intention, brings in the rent due to live in paradise.

Therefore, yesterday, the representative and manager in Mexico of the pioneering photographer, Mr. Alonso Lopez, came to El Triple escorted by his beautiful lady Irma, with freshly printed sequences that were send from the atelier of master printer Peter Paul Huf who is based in Amsterdam, the Netherlands.
These sequences needed to be signed and numbered before to be send to be exhibited soon in the city of Juanajuato in Mexico.

On a table in front of the Fuso Szulc with the bay of El Triple as a background, supervised by Mr. Alonso Lopez, the sequences were signed.



© Merel Waagmeester


Another day of work in the office of paradise.





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Tuesday, April 13, 2010

The Long El Triple Goodbye





Returned to El Triple in Baja California, Mexico.



The long beach where as of 1979 so many weeks and months have been spent.


Until 1985 to make sequences.
Followed in the years after by VISTA images, videos and the PS series.



Visits and stays at El Triple last year and now are not to make new pictures.
This is explained in an interview by journalist Mick Davidson for AG photomagazin in the UK.
To be published in july 2010.

Mick Davidson:

How will your work evolve in the future?


Michel Szulc Krzyzanowski:

This is an invitation to speculation.

Right now I am most interested in my autonous photo documentary work.
And am working on different projects with great pleasure and good results.
However, concerning the autonomous conceptual photography, I believe that this is a field where no innovation is possible anymore.
Anything that is made in that field is a repetition or a variation on what has already been made.
I believe that autonomous conceptual photography has been researched and explored to the most far ends and that nothing truly original can be discovered there anymore.
As I am not interested in persiflage, copying, imitating and making variations and therefore being mediocre, I have left this field of autonomous conceptual photography and enjoy myself deeply with my projects in the field of autonous photo documentary work.
And expect to continue in this way.

Staying at El Triple now is like a long goodbye.
Of the days of autonomous conceptual photography.
And of the desolateness of the location.
Of the fabulous view of the Pacific Ocean.
And the violent northwestern wind that tortures frequently.





To create an opening for moving to another location.
Probably somewhere in the mountains.





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Sunday, February 21, 2010

The show goes on

It is all very well that the photographer is pioneering and traveling all over the world and in the arms of the Queen of Dreams and eating vegetarian and currently seeing the sun rise from the Sea of Cortez.
But the work and the show around all these activiteies must go on.
The people must be offered the service to see the photographs that have been taken.
And the friends running art galleries, the friends that design and publish photo books and many others must make a buck.

Yesterday in the big city of Eindhoven, in the south of the Netherlands, an exhibition opened of the sequences.
In a highly reputed photo gallery, the oldest in the Netherlands.
Called Galerie Pennings.




All images: © Merel Waagmeester

It was a rather informal opening because next week, on the 27th of February, the renowned artist, writer and art-critic Rommert Boonstra will give a lecture in the gallery Pennings about "Staged Photography" and open officially the sequence exhibition.
In anticipation of this event, a text has been written, together with Merel Waagmeester, in which it is explained that sequences as were made by this pioneering photographer are not belonging into the category of "Staged Photography".

Having a beautiful exhibition with all the activities surrounding it while far away and not present is not painful.
The presence is in the images.
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To learn more about Galerie Pennings, click on:
http://www.galeriepennings.com/NL/pennings-EXHIBITION.html








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Wednesday, December 9, 2009

John Wood believes

John Wood is an American award-winning poet, art critic and photographic historian.



He had a few words to say about the new photo book "Sequences: the ultimate selection":



Thank you so very, very much for your astounding and beautiful Sequences.
What an amazing production in absolutely every way!
Every aspect of the design and layout is wonderful.
Of course!
I am beginning to understand that the word "Voetnoot", the name of the publisher, means "amazingly beautiful books"!
I did not know Michel Szulc Krzyzanowski's work but am excited to learn about it.
He has a deeply poetic eye.
The last one I find particularly moving.
It reminds me of something in Jain art but in reverse.
Instead of the empty silhouette of the liberated Tirthankara, it is as if the figure has returned to the body and the sensual world.
A wonderful book in every way, and I appreciate it so very much.






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Friday, December 4, 2009

Sunday, November 29, 2009

Somewhere in heaven

In all artist's careers an opening of an exhibition of the own work is a big event.
Usually an exhibition is a milestone: a marker with a public inventory of what has been produced.
Besides, it is an excellent opportunity to present work to a larger audience and get exposure.
And of course it is a chance to meet friends and share some wonderful moments.

All this is currently a relevance because this afternoon is the opening of the exhibition of sequences and the presentation of the new book "Sequences: the ultimate selection".
Many people are expected and it will be a magical event.

But it is not the first time a book is published and an exhibition of the work is presented.
Therefore, a deja vu feeling exists besides the excitement and the happiness.
It is walking, although with great pleasure, on the same avenue once more.

Also the exhibition, the opening and the book presentation are standing in the shadow of a much bigger event happening simultaneously.
And this much bigger event is something without any deja vu.

Most if not all fervent and loyal blog readers know the expression: to feel in heaven.
Maybe even some of the fervent and loyal blog readers have been in heaven like the pioneering photographer has.
But these days it is discovered that in this heaven different spaces can be found.
It is not true that heaven is just one space or area.
It has different sections and this is decided by quality, uniqueness and intensity.
These days life has moved into an area of heaven that has never been visited before.
It hasn't been found by accident or after a private safari.
Access has been achieved thanks to the Queen of Dreams who knows the way very well.



This particular part of heaven was unknown and is therefore pretty amazing to be in.
Scaring though at the same time because it is an unfamiliar place that challenges to open parts of the emotional repertoire never performed before.

This unique and exquisite experience has pushed the events of the opening and the book publication into the background.
Where they shine and glory nevertheless.

Friday, November 27, 2009

Sorry, sorry, sorry

These days are hectic, amazing, surprising, exciting, fabulous, fantastic and wonderful.
It is everything now and here while no clue exists about even the near future.
As each hour of the day is filled to the brim, how can a daily posting be written?
When tomorrow the exhibition is to open and the photo book "Sequences: the ultimate selection" is published?
When the Queen of Dreams is at the side day and night?
Therefore consideration is requested.

Sunday, October 18, 2009

Per se praise

The day starts with one hour of swimming in the warm water of the large swimming pool.
Exactly as the day had ended the day before.
It has become almost like an experiment.
How many hours a day of exercising, in this case swimming, until the body indicates that it is tired and needs rest?
An hour in the morning and an hour in the evening has no results.
Energy levels are not affected.
As of today therefore 40 minutes of running will be added to the exercise program.
See what happens.
If the limit where tiredness or exhaustion begins can be reached.

Meanwhile the first photo critic has written a piece on the new book "Sequences: the ultimate selection".


An authority in the Netherlands and beyond, Mr. Rommert Boonstra says that the sequences are one of the seven world wonders in photography.
That sequences are about nothing and everything.
That they storm heaven without leaving earth.
That they connect in a harmonious way the minimal and the eternal.
Sequences, according to Mr. Boonstra, are a monument for the good life.

They come close to the unbelievable, he writes.
And he makes a very correct assessment: sequences are not conceptual.
Because conceptual is an image illustrating a philosophical idea.
But with sequences image and idea join and unite in an exuberant way.
Mr. Boonstra's conclusion is that the sequences return to life the secrets that modern existence has desperately tried to vanish from us.

An artist can only dream to have such a criticism about the work made public.
At the same time it gives a feeling of justification: that another person manages to truly and deeply understand the work.

But does the publication of such a text by a critic have any influence on the person?
Does it make feel proud and better?
Or does it improve the self esteem?

It turns out that it is not hard at all to remain in today's reality.
To have the personality not affected by what a critic writes about the work.
Because the focus is fully on the here and now.
Like today: the journey will be made from La Paz to the rancho of the Gonzales family.
That event fulfills fully the feeling and thinking.
And is the only thing important that really matters.


Friday, October 16, 2009

A personal message for you

This morning a personal message of the photographer himself arrived in the offices of the Fuso Szulc.
We were requested to transfer it to the fervent and loyal blog readers.
Therefore the report of the visit of the CCC( the copulation center for coconuts) that took place yesterday will have to wait for publication on this blog for some other time.
This is what the photographer believes he has to tell you:


Dear fervent and loyal blog reader,

I am delighted to write you informing that next month my new photo book "Sequences: the ultimate selection" will be published.
On November 29, 2009 the first copy of this book will be presented by Voetnoot Publishers at an exhibition of vintage and new sequences in Galerie Baudelaire in Antwerp, Belgium and I will attend.
You will soon receive an invitation for this event.

"Sequences: the ultimate selection" is a large and voluminous photo book.
It is 1.2 inches high and has a size of 8 x 13 inches with a hard cover.
In this photo book of 238 pages , 125 sequences are published
That's over 500 images.
Many of the sequences in "Sequences: the ultimate selection" have never been published before: over 30 of the 125 sequences.



I am happy to inform you that Voetnoot Publishers has a special offer for "Sequences: the ultimate selection".
You can reserve and order a copy of this unique book today.
And then "Sequences: the ultimate selection" photo book will be shipped to your home free of charge.

This way you are guaranteed to have a copy of "Sequences: the ultimate selection".
My former books with sequences are all sold out.
And remember, this offer includes free shipping!

Here are the instructions how to purchase "Sequences: the ultimate selection".
Transfer an amount of € 75 (Euros) or US$ 115 to IBAN account number BE78320002174486 in the name of Stichting Voetnoot, Sint-Paulusstraat 41, 2000 Antwerpen, Belgium.
The BIC-code/Swiftaddress of the bank is: BBRUBEBB.
Indicate on your transfer to which address you like to have the photo book shipped.
You will receive "Sequences: the ultimate selection" in early December: just in time to make it a beautiful Christmas gift.

Besides the regular photo book "Sequences: the ultimate selection", an "Art-edition"will be published in a limited edition of 150 copies.
This exclusive and deluxe photo book is numbered and signed by the artist.
It also contains an original, high quality, numbered and signed sequence.
If you are interested to purchase the "Art-edition" of "Sequences: the ultimate selection", you need to transfer an amount of € 150 (Euros) or US$ 225.
It will also be delivered to you early December at no extra shipping costs.

This special offer, free shipping on the photo book "Sequences: the ultimate selection" and on the "Art-edition", is active until December 1, 2009.

In case you have any questions, Ms. Anneke Pijnappel of Voetnoot Publishers will be happy to receive your call from the USA at 011. 32.3.227.24.05.
From other countries: international access code and next 32.3.227.24.05
Or send an e-mail to Ms. Pijnappel at: info@voetnoot-publishers.nl

Kind regards,

Michel Szulc Krzyzanowski




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Monday, October 12, 2009

Weird karate raindrops

It is the HN7000S Hughes modem that decides where life is now.
The new one has to come from Colima, a city on the mainland of Mexico.

It can arrive today.
Or tomorrow.
Maybe in two days.

After which the new modem needs to be installed.
Have all the settings right so that internet can be accessed again with the Fuso Szulc Datastorm Motosat Satellite System.
That can take a while too.

Of course a true adventurer does not sit and wait passively to remain idle.
But see it as an opportunity to have new experiences.

Yesterday on the beaches of La Paz the Panamerican youth champion in karate was photographed.
Hector Gonzales is a local celebrity and will go to the world championships in Morocco next month.






Also yesterday, the first version of the invitation card was received for the coming exhibition of sequences and the presentation of the new book "Sequences: the ultimate selection" on november 29 in Galerie Baudelaire, Antwerp, Belgium.
Designed by Henrik Barents the invitation card stands out by the way he applied lettering.


Some people may think it is weird.
Or even wacky.
For sure unorthodox.
But the pioneering photographer loves the card and the way it is designed.
It is as different, unique and intriguing as the sequences are.

Meanwhile, it is raining in La Paz.
This season it has received a lot of it.
Nature is content.
Trees and plants are growing vigorously. b
There are flowers and birds singing
All for us.





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Saturday, August 1, 2009

What is in the sleeve?

The publisher of the new photo book “Sequences: the ultimate selection” was sending an e-mail yesterday: “Remember, we need a biography of you to publish in the 240 pages book”.

This is a kindly worded reminder of the publisher.
It had been put on the “to do”- list for the book months ago.
It was promised by the photographer to write and send it.
But it has not happened.

Did it slip from the mind?
Was it forgotten due to heavy workload?

Not at all.
It was in the conscience many times.
But it was pushed ahead.
Postponed to do this job some other time soon.
And it did not happen until now.

Why is this?
Every single day a posting is written for this blog, so what is the problem writing a biography?

Because inner resistance is felt to write the own biography.
There is no appetite for the task.
No mind to it.

The reason is simple.
There is the private person and there is the public photographer.
Two in one.
Life is lived every day from being a private person.
And sometimes it is needed to be the public photographer.

Obviously, the best and most pleasant is to be the private person.
To be the public photographer is pushing aside the real self and to play a role.
And therefore not so pleasant at all.

This phenomenon surfaces clearly when meeting people.
They can choose to either have an approach to the private person.
Or to the public photographer.
When the relationship is with the private person the contact can be of value, substance and quality.
However, when the choice is to see the person as a public photographer, the approach is from assessments made beforehand.
To become what the other person has as an image.
And then it feels like standing on the side and not being personally involved.



To write a biography for a photo book is to make a list of accomplishments and achievements that were the result of being a public photographer.
However, as a private person those particular achievements and accomplishments are of very little interest.
Compared to what have been the results of the inner growing process.

The contents of a professional biography has little to do with how the private person has become and currently is.


Nevertheless, the new photo book “Sequences: the ultimate selection” must have a professional biography.
And whether the protagonist likes it or not, the biography has to be produced.

So some kind of trick must come out of the sleeve to have an intriguing, interesting and well written biography available soon for “Sequences: the ultimate selection” .

Therefore, today, Mr. Publisher, an effort will be made by the photographer to be a magician.




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Tuesday, June 30, 2009

A reverence

It has been announced on this blog already: in November 2009 a new book will be published.
It is called “Sequences: the ultimate selection” and will contain a large selection of work made in the 70’s and 80’s.
A major part will be sequences never published or exhibited before.



These days the preparations are under way to open a special website where already the book “Sequences: the ultimate selection” can be purchased.

A special art-edition will be available as well.
Made in a limited edition of 25 it comes in a special cover, signed and numbered and it has a limited edition specially printed museum quality original sequence.

This will sell for € 250 plus shipping and handling.

However, it is realized that € 250 means for an American customer $ 351.
Virtually, the American pays 40 % more due to the exchange rate.
This based on the fact that an American makes $ 20 an hour working at Albertson’s and a European makes € 20 working in a Champion.

Therefore a special pricing has been designed.
Similar to the way Apple has been selling their products.
They offer their computers for let’s say $ 1500 on their American website and the same computer for € 1500 on their European websites.
Of course buyer must be based in the country where the purchase is made to avoid Europeans buying by mail in the USA.

For the book “Sequences: the ultimate selection” the pricing is 15 copies selling for € 250 and 10 copies selling for $ 250.
But those 10 copies can only be bought by Americans.

Once those 10 copies are sold out, an American can still buy a copy of the special art-edition of “Sequences: the ultimate selection”.
But it will cost € 250 = $ 351

This courtesy presented to the American collectors and lovers of sequences costs money.
The 25 copies of the special art-edition of “Sequences: the ultimate selection” can be all sold for the € 250 price no problem.
So, the current pricing in Euros and US Dollars lowers the turnover by € 728 or $ 1026

Hence: it is a gesture.
A reverence of a gentleman.



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Wednesday, June 17, 2009

No memories, no ways

In 1979, with the help of the book publisher Nicholas Callaway, a campervan was bought and the first journey in the USA was made.
The purpose was to make sequences and carefully the maps had been studied to find adequate and inspiring locations.
They were found, like the Great Sand Dunes in Colorado.
But also the Bonneville Salt Flats near Wendover in Utah.

The Bonneville Salt Flats are spectacular.
A thick layer of salt on an immense flat surface surrounded by mountains.
And this usually in brilliant sunlight.
A great place to perform conceptual photography.

The Bonneville Salt Flats are the most well known for the speed records that are set on that location.
In summer, speed-devils come there and on a special racetrack they try to go as fast as possible.
Sometimes with rockets on wheels.



In 1979 it was already almost winter when the Bonneville Salt Flats were visited.
No racing was going on.
It was not too hot.
No rain.
Cloudless skies.
Perfect time and situation to make sequences and many were created.
As can be seen in the upcoming book “Sequences: the ultimate selection” that will be published November 2009.
Examples:





Now, in 2009, thirty years later, life had the pioneering photographer go to Salt Lake City to have the Motosat satellite disk fixed.
And why not also visit the relative nearby Bonneville Salt Flats afterwards?

This happened yesterday.
And most peculiar, nothing was remembered of the period working on the Bonneville Salt Flats in 1979.
It is completely gone.

Usually going back to a location where one has been before, brings back memories.
The actual place wakes up dormant memories deep in the brains.

But this time: nothing.

There was also another brilliant phenomenon yesterday re-visiting the Bonneville Salt Flats.
Over the last days it has been raining in Utah.
Very exceptional.


This has changed the Bonneville Salt Flats into a white mud pool.
There is an asphalt road leading into the Bonneville Salt Flats, but at its end deeper travelling onto the flats was impossible.
Any car would sink into the mud.











This was experienced as something very symbolic and fantastic.
In 1979 it had been possible to enter the Bonneville Salt Flats, stay there some time and create many sequences.
In 2009 the Bonneville Salt Flats were inaccessible.
Of course.
The work was done.
What has been done there stands by itself.
It cannot and must not be challenged.
Life and destiny said:
don’t even go there, buddy!






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